new In just decades, a Lake Washington fish evolved to survive without pollution
King County »new A proposal to make all King County elected offices nonpartisan qualifies for the ballot
Animals / Wildlife »A gathering of thousands of sturgeon at a Columbia River dam baffles scientists
Microsoft »new One Laptop Per Child, running Windows XP
Science / Environment »new UW and IBM are researching new rice strains using 'clustered' PCs around the world
Ferries »It's not over until Hillary Clinton's cash runs out
Seattle goes gah-gah over choo-choos
The city's own series of tubes
As long as we're beating up on the mayor today ...
A city of scolds
(23 comments)
As long as we're beating up on the mayor today ...
(9 comments)
Seattle goes gah-gah over choo-choos
(9 comments)
It's not over until Hillary Clinton's cash runs out
(6 comments)
Responding to her readers on paid family leave
(6 comments)
Why Hillary Clinton should stay in the race
(6 comments)
The city's own series of tubes
(5 comments)
Puget Sound on Prozac
(4 comments)
Fast times and loads of fun, despite expensive gas
(3 comments)
Hillary Clinton, will you please go now!
(3 comments)
In a brief announcement that surprised many, Seattle's City Librarian Deborah Jacobs has announced that she is leaving to join the Bill and Melinda Gates Foundation. She will embark on the task of bringing libraries to parts of the world that have limited access to books.
We owe Jacobs much, for she ushered in Seattle's now-famous new central library and administered the largest library building program in the nation. That program brought us new and remodeled branch libraries and the crown jewel of the system, the downtown Central Library, designed by the celebrated Dutch architect Rem Koolhaas.
Great architects must do more than create a visually spectacular structure. They must also make sure the building “works.” Is it efficient, comfortable, and able to do the job for which it was intended? Moreover, the architect must give the clients what they ask for. Seattle wanted a landmark building: an icon, an image that would put Seattle on the world stage.
When the City was formulating a plan for the new Central Library, City Councilmember Richard McIver asked in a public meeting, "Just exactly what do we expect to happen in this new library?" Silence followed his question, suggesting that people were stumped or that all assumed they knew the answer. But had we really taken McIver's excellent question seriously, we may have give more thought to how libraries needed to be different to match our changing ways of living and relating to books.
Koolhaas gave the city what it asked for: national recognition, architectural awards, and a breathtaking structure that attracted 150,000 people last year. Of that number, 116,000 checked out books. Others came as tourists, street people, researchers — to study, do homework, or use computers. (Plus a few who just use the escalator to avoid a hillclimb.)
The number of users in the new branch libraries is even more impressive. New and remodeled buildings designed by local architects have attracted 350,000 people, checking out an amazing 646,000 books a year. That's six times more books than at the Central Library. These branches also provide access for meetings and serve as gathering places for the community.
The flourishing branch libraries raise an old question: Might it have made sense to concentrate more resources on branches, particularly in walkable urban centers where people live, real estate is less expensive, parking is easier, and there are more attractions from adjacent businesses?
Seattle's decision to create a central library where administration, book processing, and the major concentration of books would be stored contrasts with King County Libraries, which have decentralized their libraries. The county chose to locate book processing and administration in less costly real estate and to put books near where most people lived. Seattle placed these operations in a high-priced building and in the most congested and expensive real estate in the state.
Diantha Schull, executive director of Libraries for the Future, puts it this way: "Libraries today are less about the real estate necessary for storing books, and much more about being a public forum — a space for meetings, performances, gatherings, and centers for community communication." If we want our urban villages and urban centers to serve the community, then that may be where we need to put the emphasis.
Charlie Robinson, director emeritus of the Baltimore County Public Library, makes a related point, contending that the public is choosing the atmosphere of the new bookstores over public libraries. He advocates, powerfully, that public librarians must create an environment that will attract young children and keep them coming. He warns that bookstores could empty public libraries if they don't become more inviting and convenient to match the public's busy lifestyles.
One good example of Robinson's point is Third Place Books in Lake Forest Park. Visionary entrepreneur Ron Sher has created a comfortable, inviting bookstore with adjacent classrooms, a stage, a variety of restaurants, wi-fi, and meeting areas. The store also boasts a weekly program of events that provide almost daily attractions of book readings, music, or lectures. The proximity to other adjacent businesses appears to make such stores an attractive destination for busy people who want to mix books with other life routines. Moms with kids, seniors, students, average folks on their way to or from other errands come just to read, eat, study, fend off loneliness, talk about politics. And buy books.
Aside from the question about location, we must also ask how well Koolhaas's architecture works to create "comfortable and inviting spaces," as found in cozy bookstores.
Visually, Seattle's library is a stunner. Light appears to be everywhere, and the sky is the ceiling. Steel and glass and the planes of walls intersect and recede in every direction. It so excites the eye that you can't stop looking. The exterior is a unique structure. No mistaking it for an office tower, the library looks like a massive glass box that got stepped on by the gods and set down between streets.
How it functions is quite another matter. When you wander through all the big and little spaces, you see lots of people on computers and many people obviously intent in using the library for research, study, or to peruse books. Regrettably, there are many who appear to have no reason to be there except to sleep, get out of the rain, or just hang out. How to deal with those whose motives are more the seeking of shelter than books was an issue studied at length during design work for the library. It's a problem faced by every big city library. As hard as they have tried, library security is a challenge, and Jacobs sees hiring more security as a high priority for next year's budget.
Not all Central Library spaces are inspiring. With all its sweeping structural planes, this building has an incredible amount of wasted space. Countless dreary little corners and disconnected spaces neither interest the eye nor serve useful purpose. The staff, when asked about specifics in design, efficiency, windows, convenience, storage spaces, and layout, are loyal to the library, but can sometimes roll their eyes and say, "no comment."
One major failure is the children's area. Just off the Fourth Avenue entrance (which looks like the gate to Boeing Plant 2), the children's library features color and shapes that might appeal to kids, but few seem to arrive unless special programs are set up. Children's libraries, of all the places in a library, need open sight lines so all kids can be seen by the librarian. Koolhaas has not obliged. One also wonders if the children's library would have been better located at Seattle Center with the other children's and family activities.
To my taste, this library seems emotionally cold. Almost devoid of the Northwest's natural woods, it has instead glass, metal, and plastic surfaces that are hard and industrial. It’s a major departure from a living room. Startling and even grand it may be, but it's not a friendly physical space to be in. The staffers, on the other hand, are a triumph in everything you could possibly want: skilled, well trained, friendly, and really caring about doing a great job.
It's no easy matter to build long-lived buildings when how we use libraries are changing rapidly. Just think how much has changed since the last libraries were built. Now corporate libraries hire almost as many librarians as public libraries; they collect and store all kinds of proprietary information for their specialized businesses and no longer depend on the public library for technical references. Academics and researchers now depend almost exclusively on university libraries to index research papers and store highly technical information. Chains of bookstores stock and sell pop fiction to the reading public. You can buy a paperback online and have it delivered to your door for less than the cost of driving to the downtown library.
And last of course is the incredible impact of the Internet. Almost anything can be researched from any home or business with the search engines now in use. Many octogenarians are avid Googlers. All this means that going to the Central Library to find a source book is much less necessary.
Given all these factors, it must be said that Jacobs has grasped more than most how libraries need to respond to changes, not just build to the old models. She guided the most incredible and ambitious building program in the nation, "Libraries for All." She rallied an already amazing staff. She understands that libraries offer hope and guidance to new immigrants and provide a place of acceptance in a world that disenfranchises many people. She insists that if we are to attract children of all ethnic origins and their families into new concepts of citizenship as well as the joys of reading, libraries are the place to start.
Libraries today are spaces for meetings, performances, gatherings, and centers for community communication. Future librarians will be pied pipers, organizers of events that expand horizons and arouse curiosity in books and reading. Especially in our branch libraries, these roles are being well performed.
I hope the Library Board will keep these goals in mind, inspired by Jacobs's example, as they face the enormous task of choosing the next city librarian. They should keep in mind this comment from a nine-year-old boy who was asked what he wanted in a new library. "Will it have a history HOLODECK?" he asked. We will have to wait and see if a new head librarian will know what a holodeck is and whether high-tech Seattle can envision a virtual library history environment patterned after the one aboard the Starship Enterprise. Maybe it will be in our future.
Editor's note: The Seattle Public Library announced on April 24 that Marilynne Gardner, chief financial and administrative officer, will serve as interim chief executive for the Library system when City Librarian Deborah L. Jacobs joins the Bill & Melinda Gates Foundation on July 3, 2008.
I can't think of a public official in the Seattle area over the last 40 years who has been more effective than Deborah Jacobs. I use the downtown library and one of the remodeled/enlarged neighborhood libraries regularly. I'm very happy with both of them. The neighborhood library, Columbia City, is so full of patrons especially children and teenagers that I often find it easier to head downtown and put up with slow busses or expensive parking. I view the crowd at Columbia City as a sign of success rather than a problem. I started using the downtown library for serious research a few years ago. I know many people do not like the user experience at the Main Library, but I do. It is a quantum leap over the dump it replaced and I find it a more comfortable place to work in than Sterling Memorial or the The Bancroft libraries which are the other two large libraries (much larger) in which I have logged long hours. Of course, my memories of those libraries are dulled by the passage of many years. I have found the library staff outstanding.
There's a lot that can be said about Ms. Jacob's impact at SPL, but "effective" does not always equal "positive." The downtown library is a triumph of form over function: one-way escalator, little or no consideration for the relationship among different spaces (e.g., the Seattle Collection with its card-file index of local newspapers is four floors away from the newspapers on microfilm), dreary meeting rooms, and on and on and on.
I'm really struck how so many new libraries seem like impermanent facilities--the empty warehouse where you might house a dot-com start-up. They're interesting spaces (I'm thinking of the Ballard Library) but it's such a difference from the old libraries which emphasized permanence, either in solid Gothic edifices (like Suzzallo) or with oak furniture and shelves that seemed immovable (my childhood library in Columbia City is the archetype). I've wondered if this wasn't about more than just architectural style--a love affair with exposed ducts etc.--but reflective of the ephemeral nature of information and the library's role. And perhaps a kind of insecurity about that role: if we're not about books, what are we about? The downtown library seems like a mixed bag to me: a wonderful place to sit and read, a lousy place to look for a book (I bring my own). And so much of it seems arty, yet disposable. A landmark structure that's not built to last because no one can guarantee the future of libraries in this age.
Report a violationPosted by: ratcityreprobate on Apr 25, 2008 7:13 AM