How Crosscut is filling the gap in local arts criticism Stephen Milling as King Marke in 'Tristan und Isolde.' by Thomas May / October 6, 2010
Culture Seattle Opera's restrained staging of Gershwin's rousing 'Porgy' Alicia Hall Moran as Bess and Nathaniel Stampley as Porgy in the "The Gershwins’ Porgy and Bess." by Thomas May / August 1, 2011
Crosscut Tout: a percussive revolution The Seattle Percussion Collective, performing its spring concert this week (April 1), has developed an eager following since forming two years ago. by Thomas May / March 30, 2011
Seattle's Handel Festival: a rousing climax Handel: master melodist, master of many forms. by Thomas May / March 28, 2011
Crosscut Tout: Theater productions around Seattle Michael Mitnick, playwright of "Babs the Dodo" by Thomas May / February 5, 2011
The full Monte at St. James Stephen Stubbs, happily joined with Claudio Monteverdi. by Thomas May / December 5, 2010
Crosscut Tout: Paul Jacobs is phenom on organ His organ recital today (April 4) will display his keen musical intelligence and his gift for engaging interpretations. by Thomas May / April 1, 2011
Cappella Romana: A cure for cloying holiday music The Portland-based choral group brings a new take on a Rachmaninoff score ruled "too modern" to be performed in the church. by Thomas May / January 9, 2013
'A Doll's House': Far beyond simple feminism Jennifer Sue Johnson as Nora and Michael Patten as Torvald in Seattle Shakespeare Company's production of "A Doll's House." by Thomas May / January 3, 2013
Crosscut Tout: Bach's other great passion Capitol Hill's St. James Cathedral by Thomas May / March 7, 2012