Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Equity Can the Ethiopian community hang on in Seattle? Habtamu Abdi, civilian liaison between the Seattle Police Department and the East African community at the Ethiopian Community Center in Rainier Valley. (Photos by Matt M. McKnight/Crosscut) by Chetanya Robinson / August 16, 2017
Culture A critical exhibit in this time of Trump American Citizens – Roger Shimomura, 2015, lithograph, courtesy of the artist by Chetanya Robinson / March 30, 2017
Let's get real: The arena will kill KeyArena Architect Paul Thiry, a proponent of modernism, designed the original Seattle Center Coliseum, now called KeyArena: This is structure as sculpture. by Reuven Carlyle / September 13, 2012
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Lawrence Brownlee shines in Seattle Opera's Puritani Lawrence Brownlee (Arturo) in <i>I Puritani</i>. (Rozarii Lynch) by Fred Hauptman / May 4, 2008
The good old days Gunter Herbig. (Terry Harrison Artists Management) by Fred Hauptman / April 19, 2008
Politics You want a truly transparent state budget? Rep. Reuven Carlyle values Crosscut's "prolific, original, on-the-ground reporting." by Reuven Carlyle / April 9, 2014
Politics Secrecy in tax breaks is harming state Guest Opinion: The public should have the data to judge whether it's worthwhile to give a company a tax break. by Reuven Carlyle / February 1, 2014