Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Opinion Why Seattle needs more history in its politics, and more politics in its art Chicago, a city deeply attuned to its cultural and political history, offers lessons for our arts institutions and our politicians. by Dujie Tahat / November 22, 2019
Opinion The problem with Seattle's progressive chattering class Political advocacy organizations could learn from our city’s long tradition of organizing and occupation. by Dujie Tahat / December 30, 2020
Opinion System failure: Seattle isn't dying and poverty isn't a crime A recent report on misdemeanors continues a toxic narrative in local politics. by Dujie Tahat / October 10, 2019 / Updated at 5:07 pm October 15, 2019
The resurgence of Vancouver's creative class A recent Vancouver Creative Mornings event. by Peter Ladner / April 30, 2012
Politics The environmental 'plot' against Canada over oil sands? Canada's Conservative Prime Minister Stephen Harper by Peter Ladner / January 12, 2012
Politics Glittering Vancouver is now the poverty capital of Canada Riotous times in Vancouver. by Peter Ladner / October 2, 2011
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Lawrence Brownlee shines in Seattle Opera's Puritani Lawrence Brownlee (Arturo) in <i>I Puritani</i>. (Rozarii Lynch) by Fred Hauptman / May 4, 2008
The good old days Gunter Herbig. (Terry Harrison Artists Management) by Fred Hauptman / April 19, 2008