Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Inside Crosscut What Crosscut learned from a public records request by Real Change The Seattle Police Department’s hidden involvement in two 2020 opinion articles is an opportunity to reflect upon newsroom trust. by M. David Lee III / August 1, 2023
Inside Crosscut Why Crosscut is sunsetting its opinion section Crosscut isn't abandoning opinions, just finding a new way for you to hear them. by M. David Lee III / December 3, 2021
Inside Crosscut Meet Crosscut's new executive editor This is M. David Lee III's second move to Seattle. Since his last stay, the city has changed a lot — and so has he. by M. David Lee III / November 16, 2021
Environment Skagit dams in crosshairs of renewed push to save salmon, orcas With Seattle’s power supply in the balance, tribes and activists are demanding changes to how Seattle City Light’s dams are run. by Lester Black High Country News / July 26, 2021
Mind sex and 'Tristan' Conductor Asher Fisch and General Director Speight Jenkins. by Fred Hauptman / August 3, 2010
Chaos and twilight: Seattle Opera's Ring, part 2 Stig Andersen as Siegfried and Dennis Petersen as Mime by Fred Hauptman / August 15, 2009
Seattle Opera's Ring: What's it trying to say? Stephanie Blythe and Greer Grimsley by Fred Hauptman / August 11, 2009