Culture Kevin Kling: a master monologist at the Rep Kevin Kling and Simone Perrin in <i>How? How? Why? Why? Why?</i>, now playing at the Seattle Rep. (Chris Bennion) by Tom Keogh / March 26, 2008
Culture The Rep updates Moliere with TV comedy riffs A scene from <i>Imaginary Invalid</i>, now playing at Seattle Repertory Theater. (Chris Bennion) by Tom Keogh / March 5, 2008
The African American Film Festival is a fine example of community-based exhibition African American Film Festival flyer. by Tom Keogh / April 15, 2008
Anne Frank at Intiman: an avatar of uncompromised human spirit Lucy DeVito stars as Anne Frank in Intiman Theatre's production of <i>The Diary of Anne Frank</i>. (Chris Bennion) by Tom Keogh / April 7, 2008
Shrek the Musical opens, full of flippant perversity <i>Shrek</i> the movie. (DreamWorks) by Tom Keogh / September 15, 2008
Culture 4 unconventional Pacific Northwest-inspired Thanksgiving recipes Alongside the turkey and mashed potatoes, make some room on your plate for foods that are indigenous to the region. by Nimra Ahmad & Syd Gladu & Madeline Happold & Martina Pansze / November 22, 2023
Inside Crosscut Impact Report | 2023 was a year of experiments, change From new podcasts to expanded political coverage, Crosscut pursued a multitude of projects in the past year. by Madeline Happold & Martina Pansze & Syd Gladu / December 20, 2023
Culture Female playwrights take center stage in Seattle Local productions include “Familiar” by Danai Gurira and Martyna Majok’s “Ironbound.” by Misha Berson / April 12, 2018
Culture ‘Merchant of Venice’: A bigoted play? Or a play about bigots? With anti-Semitsm on the rise, Seattle Shakespeare Company leans into a controversial classic with 'Merchant of Venice.' by Misha Berson / April 6, 2018
Culture Why we can't get enough of Jane Austen and Charlotte Brontë Plays, musicals and merchandise demonstrate the lasting popularity of Jane Eyre and Pride and Prejudice. by Misha Berson / December 4, 2018 / Updated Dec. 4 at 9:41 a.m.