Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Opinion A psychotherapist on the uncertainties of the pandemic age I've been trying to answer a question all our bodies are asking: COVID or NOVID? by Carol Poole / July 3, 2020
Road Trip: Eastern Washington comes to Seattle The Sound Transit Light Rail in Seattle. by Sue Lani Madsen / September 24, 2017
Opinion Why blocking Kavanaugh may be worse than the alternative Seeing red: In central Washington, good answers are few, but opposing Kavanaugh feels selective. by Sue Lani Madsen / October 4, 2018
Politics Dr. Christine Blasey Ford and the psychology of buried trauma How a high-profile testimony of sexual assault can unlock secrets we have kept from ourselves. by Carol Poole / September 28, 2018
Opinion Affordable health care takes a leap of faith Does faith-based health care have a future in a historically unreligious Washington state? by Sue Lani Madsen / July 13, 2018
Opinion Where a divided Washington can find common ground: Health care This is where urban and rural concerns should find common ground and an ideal place to experiment with different approaches to health care vs. sick care. by Sue Lani Madsen / January 28, 2018
Politics The Amanda Knox obsession: all about us European fascination with Seattle's dark side. by Carol Poole / October 18, 2011